Despite being comprised of simple vocal, guitar, and viola arrangements, the record burns with unmistakable intensity. She weaves her sounds into a vivid dreamscape reminiscent of Joanna Newsom, Jessica Pratt, and early Bright Eyes.
As one might expect from the title, Nora contemplates the societal impact of toxic masculinity and examines the roots of its entangled issues. She probes this inequity with memorable phrases like: “You want me to validate your pride / But you won’t acknowledge mine”, “Dreaming up a world where I could die and get away with it”, and, perhaps most notably, “No such thing as a good man.” Her lyrics are sharp and honest, unblinking.
Nora grew up in Iowa City, Iowa, recorded her album in Chicago, Illinois, and now lives in Ann Arbor, Michigan. With such a deep connection to the midwest, it’s no surprise that a dark, empty feeling lurks behind much of her music. You can almost feel the harsh midwestern winters thawing with the warmth of her vocal delivery and lyrical clarity, lending hope in the midst of bleakness.